As always the show doesn't disappoint. Grim as it may seem, it stays true to its vision. The abyss remains the abyss for now. Gang-tae must continue to look into it and deal with all its horrors. But it's burden he has to share. It isn't his to bear on his own because the past that involves the three of them is the legacy of their parents that they have to denounce and conquer together. Ko Dae-hwan's death bed confession certainly fingered Do Hui-jae as the culprit for the death of Gang-tae's mother. At least Do Hui-jae made no attempt to deny her role in it. There are no easy exits out of the desolation apparently. The protagonists are compelled to stare into the abyss and navigate their way out. Gang-tae hoped and believed that he would be able to keep the secrets of the past to himself in order that all 3 of them could make a new start as a new entity. However, the past continues to haunt them unexpectedly. Someone who has detailed knowledge of what happened is determined to rake up the past and expose it. To what end? Why can't they let sleeping dogs lie? At this point in time we are led to believe that it's the head nurse who plastered the image of the butterfly on the wall which would beg the question as to her agenda in this entire sinister affair. The end of the episode sees her speeding off all made up with her hair down, dressed to the nines with the same butterfly brooch that Do Hui-jae often wore. This throws up new questions. What is her relationship to the Ko family? Whoever it was that painted the crude butterfly on Sang-tae's mural seems to be an agent of chaos determined that Mun-yeong and/or the Moon brothers remain in the wilderness a while longer even when they're doing their best to find their way out of it.
It's Okay not to be Okay (2020) Episode 13
It's Okay not to be Okay (2020) Episode 13
It's Okay not to be Okay (2020) Episode 13
As always the show doesn't disappoint. Grim as it may seem, it stays true to its vision. The abyss remains the abyss for now. Gang-tae must continue to look into it and deal with all its horrors. But it's burden he has to share. It isn't his to bear on his own because the past that involves the three of them is the legacy of their parents that they have to denounce and conquer together. Ko Dae-hwan's death bed confession certainly fingered Do Hui-jae as the culprit for the death of Gang-tae's mother. At least Do Hui-jae made no attempt to deny her role in it. There are no easy exits out of the desolation apparently. The protagonists are compelled to stare into the abyss and navigate their way out. Gang-tae hoped and believed that he would be able to keep the secrets of the past to himself in order that all 3 of them could make a new start as a new entity. However, the past continues to haunt them unexpectedly. Someone who has detailed knowledge of what happened is determined to rake up the past and expose it. To what end? Why can't they let sleeping dogs lie? At this point in time we are led to believe that it's the head nurse who plastered the image of the butterfly on the wall which would beg the question as to her agenda in this entire sinister affair. The end of the episode sees her speeding off all made up with her hair down, dressed to the nines with the same butterfly brooch that Do Hui-jae often wore. This throws up new questions. What is her relationship to the Ko family? Whoever it was that painted the crude butterfly on Sang-tae's mural seems to be an agent of chaos determined that Mun-yeong and/or the Moon brothers remain in the wilderness a while longer even when they're doing their best to find their way out of it.